★★★★ “Stunning!" — David Finkle, New York Stage Review World Premiere Play by Ngozi Anyanwu directed by Patricia McGregor

The Last of the Love Letters

BY Ngozi Anyanwu
Patricia McGregor

August 26 – September 26

Linda Gross Theater

We’re thrilled to welcome back 2020 Steinberg Playwright Award winner Ngozi Anyanwu (The Homecoming Queen) to open our 2021|2022 season with this haunting world premiere!

More Info

two people contemplate the thing they love the most
and whether
to stick it out
or to leave it behind
to stay
to go
that is the question
the last of the love letters
is just that
a plea
and a painful goodbye wrapped into one

Running time: approximately 75 minutes, with no intermission.

Please Note: This production contains strobe-like effects, violence, sexual content, and incense.

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  • For the 2021|2022 season we are offering a contactless e-ticket experience!
  • If you select the E-Ticket option at checkout, your order confirmation will include a button to “view e-ticket,” which you may either print and bring with you to the theater or simply open on your mobile device. When you arrive, you may head straight to either theater door. No need to stop by the Box Office!
  • If you select the Will Call option, please stop by the Box Office to pick up your tickets
  • Both options will be scanned by our ushers at the door. This will mean less physical contact, reduced box office lines, and a smoother arrival experience all around!


We are providing a digital program for The Last of the Love Letters. Should you need a printed copy, please see the Box Office upon arrival.

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“Ngozi Anyanwu is developing new forms! In The Last of the Love Letters, passion is inescapable. With bold staging by McGregor, Anyanwu delivers a furious comic diatribe & Watts gives a thrillingly physical performance. Both are operatic types, making arias out of their affection & abhorrence!”

Jesse green, The New York Times


“In her career, Ngozi Anyanwu has displayed remarkable gifts for storytelling! The Last of the Love Letters is both more intimate & more ambitious. And under Patricia McGregor’s direction, she is captivating!”

Thom Geier, The Wrap



“Both Anyanwu & Watts are magnetic performers; under McGregor’s taut direction, they instantly draw viewers! There’s a radical kind of comfort in coming together again to find reassurance that none of us is alone, even when we are.”

naveen kuman, new york theatre guide

“Floats from high poetry to conversational wit! Anyanwu’s delivery is lyrical & grounded. I’m delighted a theater full of strangers can finally breathe together.”

Hayley levitt, theatermania



“A muscularly poetic outcry. In Watts’ performing, something astonishing unfolds. His hyperkinetic athleticism—Olympic—has rarely, if ever, been unleashed on a stage! Anyanwu’s impassioned probe is a stunning addition to the annals of playwriting gazes at love and its infinite possibilities.”

David finkle, new york stage review


“Brilliant! Anyanwu’s words land somewhere between poetry, heated rant & drunken triple-text. It’s an explosive combination & one that demands further work from her!”

juan a. ramirez, theaterly


“A richly packed powerhouse of a show. My advice: Get there while you can for this hard-hitting must-see show.”

Deb Miller, DC Metro Theater Arts

deb miller, dc metro theater arts

Health & Safety MORE INFO

At Atlantic, we are committed to providing and maintaining a gathering place that is free of known hazards. In order to safeguard the health of our entire community, we are requiring proof of Covid-19 vaccinations for all employees and audiences moving forward. We will additionally require mask-wearing indoors at our theater for all audience members and staff until further notice. Click here to read more about our health and safety protocols.



Atlantic’s study guides take educators and their students deeper into the story. Each guide provides a variety of discussion starters, activities, and a relevant contextual basis to immerse students in the world of the play before attending the show.


Photos by Ahron R. Foster.