JANICE AMAYA is an actor, theatermaker, and educator of Nahuatl descent. They are thrilled to be making their Atlantic Theater Company debut. Janice is a member of Pipeline Theatre Company, a founding member of The Hummm, a theater collective whose aim is to democratize the experimental, and were part of the 02020 artistic cohort at Performance Space New York. Recent theater credits: Cartography (John F. Kennedy Center for the Performing Arts, New Victory Theater, NYC), Sally Forth (Lincoln Center), Tell Them I’m Still Young (American Theater Group), Bloodworks (Ensemble Studio Theatre), Brief Chronicle: Books 6-8 (Access Theater). Film: Patriot’s Day (Lionsgate, Dir. Peter Berg). They received their MFA in Acting from the Moscow Art Theater and the American Repertory Theater at Harvard University.

ANNIE FANG (she/her). NYC debut! Select credits: A Midsummer Night’s Dream (Delaware Shakespeare), This Is The Week That Is (1812 Productions), SHIP (Azuka Theatre), Man of God (InterAct Theatre).

NINA GROLLMAN is excited to make her Atlantic Theater Company debut. Recent credits include To Kill A Mockingbird (Broadway), The Hard Problem (Lincoln Center Theater), The Iceman Cometh (Broadway), and Winter’s Tale (Public Theater). She also makes music under the moniker Softee. Training: Juilliard Group 46.

GREG KELLER has originated roles in new plays by Stephen Adly Guirgis, Amy Herzog, Sarah Ruhl, Branden Jacobs-Jenkins, Ayad Akhtar, Mara Nelson-Greenberg, Jordan Harrison, Jenny Schwartz, Daniel Goldfarb, Theresa Rebeck, Moises Kaufman, Sheila Callaghan, Melissa Ross, Zayd Dohrn, Rachel Bonds, David Grimm, and Robert O’Hara, to name a few. As a playwright, Greg’s play Dutch Masters has been performed in New York (nominated for Best New Play by the Off-Broadway Theater Alliance), Los Angeles (2 Ovation Awards), Chicago (2 Jeff Awards), Philadelphia, Vermont, Connecticut, and The Berkshires where it won Broadway World’s Original Script of the Decade.

CONSTANCE SHULMAN was most recently seen on Broadway in The Rose Tattoo at the Roundabout, American Airlines Theater (with Marisa Tomei; dir. Trip Cullman) and part of the strong women ensemble of Women on Fire at Royal Family. During the pandemic, she took on a role in Drew Larimore’s virtual play, Smithtown (The Studios of Key West). Other theater includes Bobbie Clearly, Roundabout Underground (Drama Desk Nomination), Barbecue, Public Theater.  The Rose Tattoo (Williamstown Theater), original cast of Steel Magnolias (Lucille Lortel Theater). Film:  From Fried Green Tomatoes to Strawberry Mansion (Sundance pick) and a lot of good films in between.  TV:  “Search Party,” “Law & Order,” “Broad City,” “Blacklist,” “Florida Girls,” “Orange is the New Black” (three time SAG award for Best Ensemble in a Comedy), and Nickelodeon’s animated series, “DOUG” (voice of Patti Mayonnaise – happy 30th birthday Doug!).

CLARE BARRON is a playwright and performer from Wenatchee, Washington. Her plays include Dance Nation, which was a finalist for the Pulitzer Prize for Drama, the winner of the Susan Smith Blackburn Prize, the winner of the Relentless Award, the winner of an Obie Award, the winner of The James Tait Black Prize for Drama and received its premiere at Playwrights Horizons in New York City and subsequently at the Almeida Theatre in London and is now playing across the country and internationally; You Got Older, which received its world premiere with Page 73 and later appeared at Steppenwolf (Obie Award for Playwriting, Drama Desk Nomination for Outstanding Play, #1 most-recommended play on The Kilroy’s List, and Susan Smith Blackburn finalist); I’ll Never Love Again (The Bushwick Starr, New York Times & Time OutCritics’ Picks); and Baby Screams Miracle (Woolly Mammoth, Clubbed Thumb). She is also the recipient of a Whiting Award, the Page 73 Playwriting Fellowship and the Paula Vogel Award at the Vineyard, and is a former member of Youngblood and the Soho Rep Writer-Director Lab.