KYLE BELTRAN. Broadway: The Cherry Orchard (Roundabout), In The Heights (also, first national tour). Off-Broadway: Fire in Dreamland (Public), Tin Cat Shoes (Clubbed Thumb), The Amateurs (Vineyard), A Midsummer Night’s Dream (Public Delacorte), Head of Passes (Public), The Flick (Barrow Street), Gloria (Vineyard), The Fortress of Solitude (Public), Choir Boy (MTC), The Netflix Plays (Ars Nova), 10 Things to Do Before I Die (2ST). Regional: Goodman Theatre, Dallas Theater Center, Steppenwolf Theatre, Yale Rep, The Old Globe. Film/TV: Equity, “Horace and Pete,” “The Big C,” “Unforgettable” (recurring). BFA in Drama, Carnegie Mellon.

MARIN IRELAND’s theater credits include reasons to be pretty, for which she won a Theatre World Award and was nominated for a Tony. Her other New York credits include Summer and Smoke at Classic Stage, Ironbound at The Geffen, The Big Knife on Broadway (opposite Bobby Cannavale), Ironbound at Rattlestick, Kill Floor at Lincoln Center, Blasted and Marie Antoinette, both at Soho Rep., Three Sisters at Classic Stage, Cyclone at Studio Dante (Obie Award), and In the Wake at the Public Theatre. Some of her TV and film work includes “Girls,” “Homeland,” “Masters of Sex,” “The Divide,” “The Slap,” Glass Chin (Independent Spirit Nomination, 2016), Sparrows Dance, The Family Fang, 28 Hotel Rooms, In the Radiant City, Hell or High Water, The Empty Man, and FX’s upcoming “Y.” Most recently, she was seen in the Lifetime movie Flint, about the Flint water crisis, playing activist Melissa Mays. She currently appears on the Amazon series “Sneaky Pete.”

PETER MARK KENDALL is a series regular in “Strange Angel” CBS All Access. Broadway: Six Degrees of Separation (Tony Nom for “Best Revival”), The Rose Tattoo (The Acting Company: with Patti LuPone & Bobby Cannavale). Off-Broadway: The Harvest (LCT3), Mercury Fur (The New Group), NYTW, Roundabout, MCC, Red Bull Theater, Ensemble Studio Theatre. Regional: Bay Street Theater, Baltimore Center Stage, Trinity Rep., Chautauqua, Gloucester Stage, Baltimore Shakespeare, Studio Theatre (DC), Rep Stage, Kennedy Center. Film: Lost Girls and Love Hotels, Time Out of Mind, Louder Than Bombs, The Ticket (TriBeCa), The Rest of Us, Seven Lovers. Television: “Outpost” (series regular; CBS); “Girls,” “The Americans,” “Chicago Med,” “Eye Candy” (recurring); “The Good Fight;” “Gotham;” “Public Morals;” “Law and Order: SVU;” “The Leftovers;” “Blue Bloods;” “Public Morals.” Upcoming film: The Scottish Play. Education: M.F.A., Brown/Trinity Rep. He co-founded Hickory Collective, which creates music for film, commercials and podcasts.

NICOLE LEWIS. Broadway: Hair, Rent (Joanne), Lennon. Off-Broadway: Wilder Gone (Clubbed Thumb); Sense and Sensibility (Bedlam); Measure for Measure, Macbeth (Public Mobile Unit); Murder Ballad, Boy Gets Girl (MTC). Regional: Two Trains Running (Seattle Rep/Arena Stage); The Merry Wives of Windsor (Two River Theater); Disgraced (Arizona Theater Co); Good People (Geva/IRT); Race (Philadelphia Theater Co.); All My Sons (Intiman); A Civil War Christmas (Baltimore Center Stage); The Tempest (WTF, ACT I). Special Engagements: Far But Close by/with Daniel Beaty (DTH); Flowers are Sleeping by/with Eisa Davis (Symphony Space). TV: “The Blacklist,” “Mozart in the Jungle,” “Odd Mom Out,” “Law & Order SVU,” “Blue Bloods.” Film: The Comedian, London Betty, Across the Universe. Voiceover Artist, The Actors Center (Resident Company Member) theactorscenter.org BA, Yale; MFA, A.C.T. NicoleLewisNYC.com

KRISTOLYN LLOYD. Stage credits include: Broadway: Dear Evan Hansen; Off-Broadway: Paradise Blue, The Liquid Plain (Signature Theatre); Dear Evan Hansen, Invisible Thread (Second Stage Theatre); Heathers The Musical (New World Stages); Cabin In The Sky (Encores City Center). Regional: Paradise Blue (Williamstown), Witness Uganda (A.R.T.), Heathers The Musical (The Hudson), Hairspray, Rent (Hollywood Bowl), Once on this Island (Reprise Theatre). TV includes: “Random Acts of Flyness” (HBO), “Elementary,” “Madam Secretary” (CBS), “ER” (NBC), and “Lie to Me.” (FOX). Graduate of Carnegie Mellon and Grammy and Emmy winner.

CHRIS STACK. NYC: Ugly Lies The Bone (Roundabout); Afghanistan, Zimbabwe, America, Kuwait (Rattlestick/Rising Phoenix Rep); Wayside Motor Inn (Signature Theater); Your Mother’s Copy Of The Kama Sutra (Playwrights Horizons); Marie Antoinette (Soho Rep.); Killers & Other Family (Rattlestick). Regional: What Happened When (Echo Theater L.A.), The Sign In Sidney Brustein’s Window (Goodman Theater), Love In The Wars (Bard Summerscape), Love & Communication (Passage Theater). Film and TV: “Law & Order: SVU,” “Blue Bloods,” “White Collar,” “One Life To Live,” “As The World Turns,” “Damages,” “Third Watch,” “Conviction,” “The Education of Max Bickford,” Evening, The Mini, School of Rock, Roger Dodger, Small Collection, and Juke.

ABBY ROSEBROCK is a Brooklyn-based writer and performer from South Carolina, and author of the plays Dido of Idaho, Blue Ridge, Singles in Agriculture and Different Animals. Her work has been produced or developed at Cherry Lane, Ensemble Studio Theatre, Williamstown Theater Festival, Rattlestick, New York Stage and Film, Labyrinth Theater Company, Drama League, Dixon Place, INTAR, The Brick, IRT, Naked Angels, The Lark and more, as well as regionally in South Carolina, Georgia, Idaho and Montana. Abby has been a member of The Tank NYC’s TV and new media writers’ collective and the Obie Award-winning playwrights’ group EST/Youngblood. She is currently a member of the emerging writers’ group at Clubbed Thumb and the Orchard Project’s NYC Greenhouse, and is thrilled to be working on a Launch Commission for Atlantic.

TAIBI MAGAR most recently directed The Great Leap by Lauren Yee, starring BD Wong (Atlantic Theater Company). Other NYC: Is God Is (Soho Rep., NYT Critic’s Pick, Obie Award), Master (Foundry Theatre, NYT Critic’s Pick, Top Ten 2017), Underground Railroad Game (Ars Nova, NYT Critic’s Pick, Top Ten 2016, Obie Award for Best New American Work). Regional: The Guthrie, Woolly Mammoth Theatre, The Alley Theatre, Trinity Repertory Company, and Seattle Repertory Theatre. International: Edinburgh Festival, Hamburg Festival, Soho Theatre (London). Training: Brown/Trinity Rep, MFA Directing. Upcoming: Underground Railroad Game (Malthouse Theatre, Australia), Song of Summer by Lauren Yee (Trinity Rep) and We Live in Cairo by Daniel and Patrick Lazour (A.R.T.).

ADAM RIGG. New York: The House That Will Not Stand (New York Theatre Workshop); Fabulation (Signature Theatre Company); Is God Is, Revolt. She Said. Revolt Again. (Soho Rep, Henry Hewes nomination); Actually (Manhattan Theatre Club)’ O, Earth (The Foundry Theatre, Henry Hewes nomination); Demonstrating the Imaginary Body (UTR at The Public Theater). Regional: Henry IV Part 1 & 2 (Oregon Shakespeare Festival), Invisible Hand (Westport Country Playhouse), Branden Jacob-Jenkins’ Gurls (Lewis Center for the Arts), Familiar (Guthrie Theater, Seattle Rep), Water by the Spoonful (Mark Taper Forum), Dear Elizabeth (Yale Rep). Opera: Breaking the Waves (Opera Philadelphia), Pelleas (Cincinnati Symphony), Proving Up (Opera Omaha), Prism (LA Opera). Upcoming: Continuity (Manhattan Theatre Club), Recent Alien Abductions (PlayCo), Faust (Opera Omaha). Education: UCLA, Yale School of Drama. www.adamriggdesign.com

SARAH LAUX is delighted and honored to be returning to the Atlantic for her 5^th show. Previous Atlantic shows: This Ain’t No Disco, On The Shore of the Wide World, The Band’s Visit, Women or Nothing. Broadway: The Band’s Visit, Fully Committed, The Humans. Selected Off-Broadway/Regional:  Downstairs (Primary Stages), Jerry Springer: The Opera (Obie Award, New Group), Bad Dates (Huntington), The End of Longing (MCC), Bad Jews (George Street), Man From Nebraska (Second Stage),  Ultimate Beauty Bible (Pg 73), The Effect (Barrow Street), The Humans (Roundabout), Thresh/Hold (Pilobolus Dance Theater), Come Back, Little Sheba (Huntington), Really, Really (MCC), Empathitrax (Colt Coer). Feature Film: Freakshow (Maven).

AMITH CHANDRASHAKER. Credits include The Lucky Ones (DD Nom., Ars Nova), Cardinal (2ST), Twelfth Night (The Public), Fairview (Soho Rep.), Fire in Dreamland (The Public), Her Requiem (LCT3), Time’s Journey… (PlayCo.), Stuffed (The Westside Theatre), FADE (Primary Stages), [PORTO] (The Bushwick Starr/ The Women’s Project), Alligator (New Georges/ Sol Project), Seven Spots on the Sun (Rattlestick), Quiet, Comfort  (Hoi Polloi). Opera: The Flying Dutchman (Houston Grand Opera), Falstaff (Opera Omaha) The Scarlet Letter (Opera Colorado), Abduction from the Seraglio (Atlanta Opera), L’ Elisir D’Amour (The Curtis Institute). Dance: Premieres by Alexander Ekman, Aszure Barton, Kate Weare, Liz Gerring, Cedar Lake Contemporary Ballet, Rennie Harris, Aalto Ballettt Theatre Essen, Staatstheater Nürnberg, The National Dance Company of Wales and The Royal New Zealand Ballet.

IKAAL SULAIMAN is a Los Angeles based sound designer and composer. New York Credits: The Thanksgiving Play (Playwrights Horizons), Rags Parkland (Ars Nova), Fairview (Soho Rep.), Light Shining in Buckinghamshire (NYTW), Time’s Journey Through a Room (Play Co.), Rape of the Sabine Women (Playwrights Realm), Master (Foundry Theatre Co.), Underground Railroad Game (Ars Nova, 2017 Obie Award Winner), The Oldsmobiles (The Flea). Regional Credits: Berkeley Rep, The Alley, Woolly Mammoth, Trinity Rep, Pig Iron, Arden Theatre Co., Early Morning Opera, California Shakespeare Theatre. www.mikaal.com

STEPHEN GABIS. Selected Atlantic Theater Company productions: Hangmen, On The Shore Of The Wide World, Hold On To Me Darling, These Paper Bullets!, Parlour Song, The Collection/A Kind Of Alaska, Celebration & The Room, Port Authority, The Voysey Inheritance, The Lieutenant of Inishmore, Dublin Carol, Hobson’s Choice. Selected Broadway/Off-Broadway: Bernhardt/Hamlet; Harry Potter and the Cursed Child; Indecent; The Price; Present Laughter; Incognito; Heisenberg; Love, Love, Love; Beautiful; Jersey Boys; Hedwig And The Angry Inch; Outside Mullingar; A View From The Bridge. Selected Film/TV: Jojo Rabbit (preproduction), Vice (preproduction), Spotlight, “Boardwalk Empire,” Across The Universe, Bernard And Doris.

UNKLEDAVE’S FIGHT HOUSE is a Drama Desk Award nominated company of fight-directors founded by Dave Anzuelo. The core members of the team are Jesse Geguzis, Gerry Rodriguez, Sean Fletcher and Aldo Uribe. Broadway credits: Escape to Margaritaville (Marquis), Tuck Everlasting (Broadhurst), An American in Paris (Palace), Disgraced (Lyceum). Off-Broadway credits: The Girl From the North Country, Mother of the Maid and Oedipus El Rey (Public Theater); Downtown Race Riot (New Group). Regional: Paradise Blue (Longwarf). National tour: An American in Paris. London: Buried Child.

DAVID LURIE-PERRET. Atlantic: Cloud Nine, The Collection & A Kind of Alaska, The Voysey Inheritance. Broadway: Prince of Broadway, Speed -the-Plow, Losing Louie.  Touring: Ireland and US- The Cripple of Inishmaan (Druid and Atlantic) and The Silver Tassie (Druid).  Off-Broadway:  Signature Theatre Company, Second Stage Theater, Playwrights Horizons, Manhattan Theater Club, Roundabout Theatre Company, MCC, Atlantic.  Regional:  CTG, ACT, Huntington, Williamstown, Long Wharf, Dallas Theater Center, Lyric Stage Company of Boston.  Graduate of Boston University.  Love to Cody.

KALEIGH BERNIER is excited to be back at Atlantic Theater. Atlantic: The Great Leap. Off-Broadway: Be More Chill, Pipeline (Lincoln Center Theater), The Parlour (Rattlestick Playwrights Theater), Squeamish (All for One Theater). Regional credits include: Soft Power (Center Theatre Group), The Chinese Room (Williamstown Theatre Festival), A Model American (Williamstown Theatre Festival), and [title of show] (Warren Miller Performing Arts Center). Graduate of Fordham University. Love to Walter.