- ATC Uncovered
- SINGLE TICKETS
Critics’ Pick, Time Out New York
“A VERY FINE NEW PLAY!
WARM-BLOODED, ASTUTE, and BEAUTIFULLY ACTED!
CLIFFORD ODETS’S dramas come to mind and so does the great
Pittsburgh cycle of AUGUST WILSON!
Squarely in the tradition of ARTHUR MILLER!
A DEEPLY MORAL and DEEPLY AMERICAN PLAY,
directed with a slow hand and quick pulse by Ruben Santiago-Hudson!”
– The New York Times
“DON’T MISS THIS INTIMATE GEM!”
– NY Post
“ A PERFORMANCE SO POWERFUL THAT THE CHARACTER SEEMS TO RISE UP OUT OF THE PLAY!”
– Bergen Record
“MORISSEAU HAS HEART!
Her rough-edged dialogue has a touch of street poet.
Gravatt is FIERCE AND FINE!”
“A taut and VIBRANTLY ACTED drama with
vivid characters, keen-eared dialogue, and inside insights into this working class world.
MORISSEAU’S FINAL CHAPTER IS BUILT TO LAST!”
– NY Daily News
“UNQUESTIONABLY A STRONG, FORMIDABLE WORK!
All four leads are IMPECCABLE!
THEATERGOERS WON’T WANT TO MISS!”
– Huffington Post
Like LORRAINE HANSBERRY and AUGUST WILSON,
Morisseau creates characters WHO SING WITH THE
VERNACULAR OF THEIR COMMUNITY! Rarely has
dialogue ever felt so much like eavesdropping on an actual conversation!”
by DOMINIQUE MORISSEAU
directed by RUBEN SANTIAGO-HUDSON
Linda Gross Theater, 336 West 20th St
Running Time: 2 hours and 5 minutes including one 10-minute intermission
Please be advised: Skeleton Crew contains strobe lights and the smoking of herbal cigarettes.
Following its critically acclaimed, sold out run at Atlantic Stage 2, the original cast will return for a strictly limited six week engagement at Atlantic’s Linda Gross. If you missed it the first time, grab your tickets today!
In Dominique Morisseau’s third play in her Detroit trilogy, a makeshift family of workers at the last exporting auto plant in the city navigate the possibility of foreclosure. Power dynamics shift, and they are pushed to the limits of survival. When the line between blue collar and white collar gets blurred, how far over the lines are they willing to step?
Steinberg Playwright Award winner Dominique Morisseau’s bold new play is directed by Obie Award winning actor, writer and director Ruben Santiago-Hudson (The Piano Lesson, Lackawanna Blues).
JASON DIRDEN (Dez). Broadway: A Raisin In The Sun, Fences. Off-Broadway and Regional: The Piano Lesson, The First Breeze of Summer (Signature Theater), Stickfly (Huntington Theater), Every Tongue Confess (Arena Stage), Seven Guitars, Topdog/Underdog (Two River Theater).
WENDELL B. FRANKLIN (Reggie). Theatre credits include Duke Solinas in A Comedy of Errors and Helicanus in Pericles at Illinois Shakespeare Festival; Lyons in Fences at Arkansas Repertory Theatre; Macon in Gee’s Bend at Cleveland Play House; Walter Lee in A Raisin in the Sun at Virginia Stage Company and Weston Playhouse Theatre Company; Willie in Master Harold… and the Boys at the Weston Playhouse; Jerome Kisembe in Ruined at La Jolla Playhouse, Huntington Theatre Company and Berkeley Repertory Theatre; The Desire and Brothers from the Bottom at the Billie Holiday Theatre; Speak Truth to Power at the Culture Project; and workshops of Dominique Morisseau’s Skeleton Crew at The Lark and Sundance Theatre Lab.
LYNDA GRAVATT (Faye). Broadway: Cat on a Hot Tin Roof (with James Earl Jones), Doubt (standby), King Hedley II (u/s Ruby), 45 Seconds from Broadway. Off Broadway: The Hummingbird’s Tour (Theatre at St. Clements), The Little Foxes (NYTW), Zooman and the Sign, King Hedley II (Signature), Crowns (Second Stage), Miss Witherspoon (Playwrights Horizons), Intimate Apparel (Roundabout), The Old Settler, Dividing the Estate (Primary Stages). Regional: Guess Who’s Coming to Dinner? (Arena Stage, Huntington), A Raisin in the Sun (Chautauqua, Westport Country Playhouse, Geva Theatre, Hartford Stage), Polk County (McCarter, Berkeley Rep), Crowns (Arena Stage), The Young Man from Atlanta (Huntington, Alley).Television: “Elementary,” “Person of Interest,” “The Good Wife,” “30 Rock,” all the “Law & Orders,” “One Life to Live,” “As The World Turns,” “All My Children.” Film: The Delivery Man, Bounty Hunter, I Hate Valentine’s Day, Who Killed Atlanta’s Children?. Three Audelco Awards, Helen Hayes Award, Connecticut Critics Circle Award. Graduate of Howard University. Proud Member of Actors Equity.
NIKIYA MATHIS (Shanita): Off Broadway: Fidelis (Public Theater); The Brother Sister Plays: In the Red & Brown Water & Marcus; or the Secret of Sweet (The Public Theater), Milk Like Sugar (Playwrights Horizons); Seed (Classical Theater of Harlem). Regional: The Blood Quilt (Arena Stage); By The Way Meet Vera Stark (Alliance Theater); The Mountaintop (Milwaukee Repertory theater); Intimate Apparel (Two River Theater); Eclipsed (McCarter Theatre); Milk Like Sugar (La Jolla Playhouse); The Brother Sister Plays (McCarter Theater); The Continuum Company’s Romeo and Juliet (Florence, Italy). Commercials: Diet Coke “Heart Health,” Kraft Macaroni and Cheese “Pregnant,” Nationwide Insurance “Atlanta Falcon’s House.” Television: “Elementary,” “Person of Interest,” “Madam Secretary,” “Crime.” Film: Compliance (dir. Craig Zobel); Knucklehead (dir. Ben Bowman). BA: Temple University, MFA: NYU Acting Graduate.
ADESOLA OSAKALUMI (Choreographer/Performer) starred in the original Broadway cast, national and international tours of Fela! and Fela! The Concert and the Broadway revival of Equus (Nugget U/S, ensemble). New York/Regional theater includes: In Your Arms (Old Globe Theatre), Ngwino Ubeho (Sundance Theater Lab), Eyewitness Blues (New York Theater Workshop), Jam on the Groove (Minetta Lane Theater, Drama Desk nominee). Film includes: Sex and the City 2, Crazy Beats Strong Every Time, The Accidental Husband, Across the Universe, Enchanted and Idlewild. As a choreographer for film: School of Rock, Marci X. Commercials and theater include: Broadway Bares, ESPN, Old Navy, PBS Kids, Halifax Bank, Advil. A New York native, NEA Grant recipient and Bessie Award winner, Adesola was introduced to the performing arts by his family and believes the responsibility of an artist is to enlighten and inspire. www.adesola.com
DOMINIQUE MORISSEAU (Playwright) is an alumna of the Public Theater Emerging Writers Group, Women’s Project Lab, and Lark Playwrights Workshop. Credits include: Skeleton Crew (Sundance; Lark Barebones); Detroit ’67 (Public Theater, Classical Theatre of Harlem/NBT); Sunset Baby (Gate Theater; LAByrinth Theater); Follow Me to Nellie’s (O’Neill; Premiere Stages). She has produced other original works with the Hip-Hop Theater Festival, Penn State University, American Theatre of Harlem and The New Group. Her 3-play cycle, entitled The Detroit Projects includes Detroit ’67, Paradise Blue (developed with Voice and Vision, Hansberry Project, NYTW, McCarter Theatre, Williamstown Theatre Festival, and the Public Theater), and Skeleton Crew. Awards: Steinberg Playwright Award, Jane Chambers Playwriting Award, two-time NAACP Image Award, Primus Prize commendation, Stavis Playwriting Award, Spirit of Detroit Award, U of M Emerging Leader Award, Weissberger Award, PoNY Fellowship, Sky-Cooper New American Play Prize, and the Edward M. Kennedy Prize for Drama.
RUBEN SANTIAGO-HUDSON (Director) most recently staged the world premieres of Dominique Morriseau’s Paradise Blue at The Williamstown Theater Festival and his own Your Blues Ain’t Sweet Like Mine at The Two River Theater Co. Other directing credits include The Piano Lesson (OBIE, Lucille Lortel, Joseph A. Callaway, Audelco), The Happiest Song Plays Last (Second Stage Theater), My Children My Africa, Seven Guitars and The First Breeze of Summer all at The Signature Theater Company. Select Regional theater credits include: A.C.T. San Francisco, The McCarter Theater and The Kennedy Center. His screenplay adaptation of his autobiographical play Lackawanna Blues garnered numerous awards including The Humanitas Prize, National Board of Reviews, NAACP Image Award and The Christopher Award as well as Emmy, Golden Globe and WGA nominations. As an actor, Mr. Santiago-Hudson is the recipient of a Tony Award®, OBIE Award, Clarence Derwent and Helen Hayes Awards among others. Ruben holds a BA from Binghamton University and an MFA from Wayne State University.